You know when you've written the same word several times and then you
just look at it and think, is that the right way to spell it? It looks
wrong. It makes you question yourself.
That's been
happening to me all morning and I realised that principal of seeing
something repeatedly and the meaning suddenly changing or the way you
see it suddenly changing, can be applied to the a whole host of things:
Writing novels for instance.
How many times do we edit,
change, tinker and tweak? Especially those opening chapters. Now I look
at them and the difference from where I started and where I am now is
so astronomically vast that I often wonder if I tried to jump back there
if I'd disappear down a black hole or chasm with no floor.
Change
is inevitable and the way you hone and shape a craft like writing, it
is essential. But along the way I often wonder if this constant
tinkering isn't some how losing the original essence of what I was
trying to create. Am I editing for the sake of editing? Are these
changes necessary or is it that age old quest for perfection (akin to
chasing rainbows) that keeps the tweaks coming?It's like a disease. You
are happy with it one moment and the next you can't believe how you
could have written such tosh.
As much as you'd like
your characters to be separate entities that are unaffected by your mood
swings and outside stimulus, this is impossible. (Or at least it is for
me.) They are a part of you and I don't just mean they take particular
traits from you, which they may not. But you created them and so they
live in and through you, until the blessed day when they can live in the
published pages of the book and jump off into the hearts and minds of
others. That blessed day when the tinkering is over and you can set them
free to concentrate on another idea.
But I often find
that if I'm in a particularly emotional mood then that can be reflected
in my writing. If I go back in a more forceful,
girls-should-be-strong-and-not-sappy mood, (my self inflicted rule, not
forced upon me by parents or family or anything) then what I've written
previously will probably make me want to throw up or at least throw
something.
Distancing myself from the characters that
have lived in me and with me for so long is like shunning part of my
brain. They take up such a huge portion, or so it feels like, that
without them it would be kind of quiet and lonely.
So I
guess what I'm trying to say in a very obtuse and waffly way is to not
doubt yourself. Yes you've re-written that twenty times and now it says
something different but there's a reason you did that. Maybe on
reflection it says more about your mental state at the time but it is
still a valid idea and maybe it will illuminate another aspect that
needs work or make a link to something three chapters in the future, or
give you the stimulus for a second book. Who knows? Presumably the mind
isn't out there to sabotage, although that voice of doubt can often
leave you wanting to burn the entire manuscript or at least chuck the
computer out the window.
Crack on. Keep going. And
eventually (or so I'm told) things will fall into place. With your
continued hard work and mental sacrifice, of course. It's not a short
term solution, it's a long term investment of the mind. It's like being
on a roller coaster for five years (and counting). Surely one day those
swoops and drops will plateau and you will disembark with as complete a
novel as you can make it.
That's when the Agents, Editors and Publishers get to work and it starts all over again. Something to look forward to!
Happy
Writing to anyone in the same boat and thanks for reading. If this made
any sense I'll be surprised. Still the mind is a jumble and words help
it make sense.
Enjoy your Tuesday. May it be full and productive, whatever you have in mind.
Rants
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